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By Editor on 13 Apr 2015 | From the channel/s: 

We need your support: vote for Diplo's two projects in the WSIS Project Prizes 2015 voting process.

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By Editor on 9 Apr 2015 | From the channel/s: 

The IG Barometer for March showed that the past few weeks were more intensive for online privacy and data protection, net neutrality, jurisdiction, and the IANA transition process, compared to previous weeks.

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By Jovan Kurbalija on 4 Apr 2015 | From the channel/s: 

Two doors inspired my interventions at a panel on the Digital Magna Carta organised by the New America NYC and the Swiss Consulate in New York: the fascinating bronze entrance door to the U.S.

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By Editor on 4 Apr 2015 | From the channel/s: 

The second event in the Cybersecurity Days series ‒ Fighting cybercrime through closer international cooperation ‒ took place on 30 March and was co-organised by the Geneva Internet Platfo

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By Editor on 27 Mar 2015 | From the channel/s: 

The correlations between the IPR protection regime on one side, and innovation and growth on the other, were the main topics explored on 19 March at a roundtable on Open Innovation in the Proprietary World

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By Editor on 25 Mar 2015 | From the channel/s: 

The Internet poses a wide range of challenges for modern diplomacy, including how to protect national cybersecurity, how to govern the Internet on the global level, and how to keep up with the content policy dynamics.

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By Editor on 23 Mar 2015 | From the channel/s: 

A year on, the Geneva Internet Platform (GIP) has successfully cemented its status as a neutral and inclusive space for digital policy discussions, drawing on Geneva’s position as a global hub for policy processes.

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By Editor on 18 Mar 2015 | From the channel/s: 

Is the car a place for pleasure, fun, and relaxation? Or rather a source of anxiety, where drivers lose their way or get stuck in traffic jams? Or perhaps it increasingly looks like a mobile office?

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By Editor on 16 Mar 2015 | From the channel/s: 

With the emergence of Web 2.0 and the proliferation of new digital technologies, there is a growing public demand for free, accessible, and engaging online content, extending to the realm of art.

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